Final answer:
The statement that does not pertain to the image is that it shows the cubo-futurist theatrical performances of Dessau Bauhaus; instead, it relates to Russian Constructivism, particularly a stage design by Lyubov Popova.
Step-by-step explanation:
The statement that does NOT pertain to the image in question is - "It shows the cubo-futurist theatrical performances of Dessau Bauhaus." Dessau Bauhaus was a German school of art that is not associated with Russian Constructivism or cubo-futurist performances. The other statements are true: the image represents the stage design for the performance of the 1922 play "The Magnanimous Cuckold," which was indeed influenced by Russian Constructivism and production art, and it was created by Lyubov Popova. Popova was an integral part of the Constructivist movement, which focused on practical art that could be used for social purposes, such as stage designs, posters, and public festivals, in the service of the post-revolution Bolshevik government in Russia.
Artistic movements like Impressionism, Fauvism, and Cubism are often mistaken to be related to Constructivism, due to their radical approach and avant-garde style. However, Russian Constructivism was distinct in its philosophy and aesthetics, emphasizing material properties (faktura) and spatial presence (tektonika), aiming to manifest a non-objective realm in practical art.