Question

Please take a minute to look at the central panel in Ruben's altarpiece, Raising of the Cross. Then look at one of his preliminary watercolor sketches he did in preparation for his final work. What changes has he made? Why do you think he made those changes? How does his finished work exemplify the Baroque?"

Answer 1

Rubens made several changes in the final work of his altarpiece, such as the positioning of the figures and the addition of more details. These changes were likely made to enhance the drama and emotional impact of the scene. The finished work exemplifies the Baroque through its emphasis on intense emotion, dramatic composition, and skillful use of light and shadow.

Step-by-step explanation:

In Rubens' altarpiece The Raising of the Cross, he made several changes from his preliminary watercolor sketch. One noticeable change is the positioning of the figures. In the sketch, the figures are more spread out and static, while in the final work, they are closer together and show more dynamic movement. Rubens also added more details in the final work, such as the Roman soldier astride his horse on the right panel. There could be several reasons why Rubens made these changes. One possible reason is to create a stronger sense of drama and tension in the final composition. By placing the figures closer together and showing movement, Rubens enhances the emotional impact of the crucifixion scene. Additionally, the addition of more details and the use of light and dark contrasts in the final work exemplify the Baroque style. The finished work exemplifies the Baroque through its emphasis on intense emotion, dramatic composition, and skillful use of light and shadow. Rubens' use of foreshortening, muscular figures, and dynamic poses adds a sense of realism and physicality to the scene, which are characteristic elements of Baroque art.