Final answer:
This question relates to the development of an E-R Model for Music Talent Management to efficiently manage over 500 classical solo artists. The aim is to transition from a spreadsheet system to a computerized information system to better manage artist engagements. The process mirrors the evolution of classical music from written notation to modern remixes, as influenced by the work of Michael Tilson Thomas.
Step-by-step explanation:
The subject of this question pertains to Music Talent Management (MTM) within the scope of a systems development project. The task at hand revolves around E-R Modelling, which is a vital step in replacing MTM’s spreadsheet-based system with a sophisticated, computerized information system. This system is essential for efficiently handling the profiles and engagements of over 500 solo classical music artists that MTM represents.
E-R (Entity-Relationship) Modelling is a data modelling technique used in software engineering to produce a conceptual blueprint of the database structure. This would be instrumental for MTM to streamline their operation of finding performance opportunities for artists and managing their schedules, information, and financial aspects associated with their performances.
In the context given by Michael Tilson Thomas’ overview titled ‘Music and emotion through time,’ we can appreciate how adopting a modern system can help preserve and extend the legacy and evolution of classical music from written notation through recording to remixing.
Moreover, such a modern E-R model would likely reflect and accommodate the intricate dynamics of classical music performances, customizing the system to track engagements, venues, contracts, and compensation with greater ease and accuracy. This transition from spreadsheets to a digitized system could also potentially emulate the transformative journey classical music has undergone through time, as outlined by Tilson Thomas, becoming an enabler for classical music artists to connect with audiences in the digital age.