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Continuous Flow Approach (Dittman's perspective) (Still part of the Structural Approach)

A. The structure is not like language.
B. Many movements have no "meaning" at all unless accompanied by yet other movements.
C. The structural system can be better analyzed by "zooming out" and see how ones movements leads to the next

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Final answer:

The question pertains to Dittman's Continuous Flow Approach within Structuralism, focusing how cultural movements gain meaning through their relationships within a larger system. It touches upon structural functionalism, post-structuralism, and the concept of deconstruction, suggesting meanings are not fixed but subject to contextual and societal influences.

Step-by-step explanation:

The question revolves around the concept of Continuous Flow Approach within the Structural Approach, as seen from a particular theoretical perspective called Dittman's perspective. This approach considers that the structural system of movements or actions in a cultural context can be more efficiently analyzed by observing the sequence and relationship of these movements to one another, rather than in isolation. It posits that individual movements may not have inherent 'meaning' unless they are part of a larger system of movements. This idea aligns with the broad field of structuralism which studies the overarching structures within cultural systems and seeks to understand how they fit together to create an integrated whole.

Structural functionalism is another relevant concept discussed here, presenting a way to analyze how various aspects of culture work together to maintain a cohesive cultural entity. However, post-structuralism challenges the notion of fixed universal structures, suggesting that meanings are constantly being reconstructed and that interpretations of cultural systems are inherently subjective and influenced by societal power dynamics. Deconstruction, particularly within the field of literature, is a post-structuralist method that involves examining both overt and subtle meanings within a text, revealing the plurality and ambiguity of interpretation.

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