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How do we display older artworks from other cultures in museums in comparison to European artworks

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Final answer:

Museum displays of artworks from various cultures have often been curated without sufficient input from the cultures themselves, leading to inaccuracies and a lack of context. Efforts are now being made to decentralize European art and provide a more global understanding of art history, ensuring a balanced presentation of artifacts from all cultures.

Step-by-step explanation:

Comparison in Display of Artworks from Different Cultures

In museums, the display and interpretation of artworks from different cultures, particularly in comparison to European art, reveal a complex history impacted by colonialism, Eurocentrism, and evolving scholarship. Artworks from non-European cultures have often been presented without the same consideration for their cultural contexts as European artworks, and historically, museums did not involve the originators of these artifacts or their descendants in curating exhibitions. This has led to inaccuracies in how these objects are described and understood. For example, early exhibits often lack essential information or contain erroneous details regarding objects' material composition, makers, or origins. This is compounded when the items have questionable provenance, some of them being looted or acquired illegally. Museums may also practice selectivity in which items are displayed, with a tendency to showcase works that align with modern aesthetic standards, often neglecting objects created for everyday people or those with less artistry in workmanship.

Significant efforts are now being made to shift away from these practices by recontextualizing artifacts to better represent global histories and cultures. Decentralizing European art as the primary lens through which art history is understood allows for the inclusion of a broader array of artifacts, including notable works from indigenous populations, African cultures, and other global communities. Embracing an interdisciplinary approach aids in connecting traditional ways, colonial adaptations, and recent developments across the globe.

Contemporary museums are increasingly acknowledging their historical roles in exhibiting objects in ways that may have overlooked the darker parts of history, including colonial exploitation and Eurocentric narratives. The goal for current and future museum practices is to provide a more balanced and global understanding of artistic creation and cultural production, correcting past inaccuracies and omissions to tell a more comprehensive story of humanity's artistic heritage.

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