Final answer:
Evidence suggests that environmental theatre is not merely outdoor theatre from the 1960s and 1970s but rather a broader practice in site-specific theatre. It involves using non-traditional spaces for performances with an emphasis on the audience-performer relationship and is linked to social activism and community engagement.
Step-by-step explanation:
The statement that environmental theatre is the name given to the plethora of outdoor theatres that developed in the late 1960s and 1970s is false. Environmental theatre, also known as site-specific theatre, is a genre of theatre that seeks to alter the conventional relationships between the audience and the performers. Instead of using traditional and dedicated theatre spaces, environmental theatre artists may repurpose a variety of locations, from parks to abandoned buildings, effectively turning them into unique and temporary performance venues.
In the late 20th century, playwrights began to experiment with the venues of their plays, often due to practical concerns such as ticket prices and accessibility, as well as a growing awareness of environmental issues. This led to a broader understanding of theatre spaces and an increased use of non-traditional venues for theatrical expression. For example, the European tradition of "Shakespeare in the Park" demonstrates how parks can become vibrant theatre spaces.
The modern concept of environmental theatre gained momentum alongside the rise of the environmental movement, reflecting society's awareness of and concerns for the natural world and its reaction against the negative implications of industrialization. Ultimately, environmental theatre aims to redefine the theatrical experience by integrating performance with everyday environments, thereby blurring the conventional boundaries between life and art. This can be seen as part of the larger trend within applied theatre practices focused on social activism and community-based goals.