Question

What three examples show that whites held a virtual monopoly over the dominant images of beauty, genius, and art during the nineteenth and twentieth centuries?

Answer 1

During the nineteenth and twentieth centuries, whites held a virtual monopoly over the dominant images of beauty, genius, and art. Examples of this include the works of Renaissance masters, nineteenth and twentieth-century paintings, and colonial Latin American portraits.

Step-by-step explanation:

During the nineteenth and twentieth centuries, whites held a virtual monopoly over the dominant images of beauty, genius, and art. Three examples of this are:

1. The Renaissance masters: The works of the Renaissance masters, such as Leonardo da Vinci, established standards of beauty that influenced Western art for centuries. These standards were rooted in Eurocentric ideals and often depicted white figures as the epitome of beauty.
2. Nineteenth and twentieth-century paintings: Paintings like the Mona Lisa, The Scream, and The Starry Night, which are some of the most recognizable images in Western art history, predominantly featured white subjects and were created by white artists. These paintings further reinforced the notion that white individuals were the epitome of beauty, genius, and artistic talent.
3. Colonial Latin American portraits: Portraits from colonial Latin America often communicated information about race, class, and social status. White individuals were frequently depicted in positions of power and nobility, reinforcing the idea that whiteness was associated with beauty, genius, and art.