The lines provided offer insights into different perspectives on the speaker's final destination, touching upon themes of mortality, dreams, and the afterlife. These lines collectively reveal a complex and nuanced exploration of the speaker's thoughts and emotions regarding their final destination, incorporating elements of fate, illusion, transition, and philosophical acceptance.
The first line, "She will join death as his bride in the underworld," suggests a journey towards death or the afterlife, with the speaker envisioning a symbolic union with death itself. This imagery implies an acceptance or perhaps a resignation to the inevitability of mortality. The concept of joining death as a bride also implies a sense of destiny or a predetermined fate, emphasizing the inescapable nature of the journey.
The second line, "The whole thing has been a dream," introduces a contrasting idea, suggesting that the entire experience, including the notion of joining death, might be illusory or imaginary. This introduces an element of uncertainty about the reality of the speaker's final destination, leaving room for interpretation regarding the nature of life and death.
The third line, "The grave is very much like a kind of house," adds another layer to the speaker's contemplation of the afterlife. Comparing the grave to a house implies a sense of dwelling or permanence, indicating that the speaker sees death not as an end but as a transition to another state of existence.
Finally, the fourth line, "Death is not to be feared but accepted," suggests a philosophical stance on mortality. The speaker seems to advocate for an attitude of acceptance rather than fear when facing death, reinforcing the idea that the journey to the final destination is not necessarily a terrifying or negative experience but rather a natural part of life.