Final answer:
The first movement of a multimovement cycle typically does not follow the sonata-allegro form.
The characteristic that does NOT apply to the first movement of a multimovement cycle is a dancelike character; instead, the first movement typically has a fast tempo, uses sonata-allegro form, and is highly organized and often the longest.
Step-by-step explanation:
In a multimovement cycle, the first movement typically does not follow the sonata-allegro form. The sonata-allegro form is a structure commonly found in the first movements of classical symphonies, concertos, and sonatas, but other forms can be used for the first movement. For example, the first movement of a symphony can be in a rondo form or a theme and variations form.
The characteristic that does NOT apply to the first movement of a multimovement cycle is a dancelike character; instead, the first movement typically has a fast tempo, uses sonata-allegro form, and is highly organized and often the longest.
In a multimovement cycle, the characteristic that does NOT typically apply to the first movement is a dancelike character. The first movement is usually marked by a fast tempo and generally follows the sonata-allegro form. It is also highly organized, often being the longest of the movements within the cycle. In contrast, a dancelike character is often found in later movements of the cycle, such as the second or third movements, which may adopt forms like the minuet or scherzo.