Final answer:
The second movement in a classical multimovement cycle is usually the slowest, providing a contrast to the faster movements that surround it.
Step-by-step explanation:
The second movement in a classical multimovement cycle, such as a symphony or sonata, is most likely to be the slow movement. This tradition can be observed in many classical works following the typical fast-slow-fast (or fast-slow-minuet/fast-dance-fast) format of the four-movement cycle.
The first movement usually serves as the fast, attention-grabbing introduction. The second movement provides a contrast with a slower, more lyrical or contemplative character. The third movement often contains a dance-like quality while the last movement typically returns to a faster pace, bringing the work to a dynamic conclusion.
This pattern varies based on the specific era of classical music, but the second movement is commonly the slow, expressive part of the cycle, designed to give the listener a break from the vigorous energy of the other movements.