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Matisse's "cut-out" Zulu's, show the figure as a tall, mainly blue form with a slim into shape. The general shape of the need for a visit goes the shape of a elongated lesson. This parallels the vases of flowers in the image and implies that the woman herself is a:

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Final Answer:

Matisse's "cut-out" Zulu's depicts the figure as a tall, mainly blue form with a slim, elongated shape. The general shape mirrors that of the vases of flowers in the image, suggesting that the woman herself embodies a floral-like elegance.

Step-by-step explanation:

In Matisse's "cut-out" Zulu's, the deliberate choice of a tall, mainly blue form for the figure creates a visual harmony with the vases of flowers in the composition. The slim, elongated shape of the woman is not only a stylistic choice but also a strategic one, as it parallels the form of the floral elements in the artwork. This intentional alignment implies a thematic connection between the woman and the vases of flowers, suggesting that she is a living embodiment of the floral beauty depicted in the image.

The use of a slim and elongated shape for the woman in Matisse's cut-out can be interpreted as a visual metaphor. The elongated form, shared with the vases of flowers, implies a certain grace and elegance. This parallelism suggests that the woman is akin to a living flower, embodying the same beauty, delicacy, and poise as the floral elements surrounding her. Matisse's artistic choices in form and color contribute to a harmonious visual narrative where the figure becomes an integral part of the overall floral composition, inviting viewers to appreciate the aesthetic unity between the human form and nature.

In essence, Matisse's choice of form in the Zulu's cut-out aligns the figure with the vases of flowers, creating a visual harmony that goes beyond mere representation to convey a deeper thematic connection between the woman and the floral elements in the artwork.

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