Final answer:
Classical Cambodian court dance does not hide elements like puppetry or music as seen in Western theatre; this openness is a hallmark of many Asian performance arts, such as Japanese theater. Instead, it embraces an open structure where elements are visible and integral to the experience.
Step-by-step explanation:
Classical Cambodian court dance is a highly stylized art form known for its precision and refinement, with costumes and choreography that have been passed down through generations. A characteristic that is not typical of Classical Cambodian court dance is the concealment of elements such as puppetry or music, as Western theatre often does. Instead, Cambodian dancers perform with full visibility of the instrumentalists and other elements, creating a vibrant and openly structured theatrical experience. For instance, in some Asian performing arts, such as in traditional Japanese performances, the musicians might be on display, as the subject matter mentioned in the puppetry performed on a main stage while the chanting takes place aloud on a side platform.
Furthermore, court dances throughout history have often been a blend of traditions, as described in the example of Liu Bang. The sought-after rituals and dances might include those from former empires, different nations, or dynastic rules as they evolve and adapt to the current era. This amalgamation represents the dynamic nature of court dance and music, which would be contrary to a rigidly preserved, unchanging tradition.
To illustrate this with another example, Balinese dance dramas can involve dynamic and even spontaneous performances, such as in a private temple blessing ceremony, which might not strictly adhere to the formal rigidity sometimes expected in other classical dance forms.