Final answer:
Neo-realist filmmakers did not emphasize montage; instead, they sought realism through long takes and continuous narratives. Montage was used by Soviet filmmakers like Sergei Eisenstein in the 1920s.
Step-by-step explanation:
The statement that 'Neo-realist filmmakers emphasized montage as an editing and filmmaking technique' is false. Neorealism, particularly Italian Neorealism that emerged in the post-World War II era, was characterized by a style that aimed for realism and authenticity, often using non-professional actors, shooting on location, and avoiding stylistic manipulation such as montage.
Montage was, however, a significant editing style used by Soviet filmmakers like Sergei Eisenstein in the 1920s, notably in films like The Battleship Potemkin, to create symbolic meaning and emotional impact. In contrast, Neorealism focused on long takes and a more continuous flow of events to immerse viewers in the characters' everyday lives, showcasing the struggles and conditions of the time.