Final answer:
Sergei Eisenstein believed that cinema could be used as a revolutionary medium to convey complex social messages and incite change, particularly pertaining to the workers' struggle. His work, characterized by metaphorical imagery and unique camera angles, influenced societal discourse and was part of a larger trend of using art for political purposes during the post-war era.
Step-by-step explanation:
Sergei Eisenstein, a visionary Russian director, brought new meaning to cinema with his innovative approaches. With his films like The Battleship Potemkin and Strike (both released in 1925), Eisenstein utilized metaphorical images and unique camera angles to convey stories about the workers' struggle, a theme that resonated deeply in the post-war era. It wasn't just storytelling; Eisenstein believed that cinema had the power to articulate and convey complex social messages, essentially using film as a revolutionary tool for communicating ideas and inciting change.
Hollywood and other global film industries also evolved during this period, experimenting with new techniques and grappling with topics relevant to society, from espionage to fears attached to Communist invasion and nuclear technology. This emerging landscape set the stage for directors like Eisenstein to use their craft to influence audiences and contribute to shaping societal discourse. In the Soviet Union, art and culture, particularly cinema, were tightly interwoven with the propagation of Bolshevik values, influencing the masses and enriching their cultural exposure.