Final answer:
The sequence in the beggars' headquarter is shot in one continuous take, showing the coherence of the community and space. The approach necessitates a director's clear vision and intricate planning, utilizing various production techniques to maintain narrative coherence despite possible non-chronological shooting.
Step-by-step explanation:
The sequence in the beggars' headquarter is shot in one continuous take, a remarkable feat considering the technical limitations at the time, stressing the coherence of this community and space. This technique contributes to a vivid description of the scene and helps to convey the unity and emotional content within the film. Unlike theater, where a story unfolds chronologically with the actors experiencing the character's journey in real-time, films can be shot out of order due to various constraints such as location availability and budget. This approach requires a clear vision and detailed planning from the director to ensure the narrative coherence and viability of technical elements like camera angles and special effects, which are pivotal in enhancing the film's storytelling.
For example, Masaccio used a similar technique in ancient times, enabling an entire drama to unfold within one single painting, exemplifying the potential of using space and perspective to tell a story non-chronologically. Maintaining the narrative flow despite the challenges posed by non-chronological shooting is a testament to the skillful storytelling and mastery over the technical aspects of filmmaking, such as using various production techniques to enhance the viewer's experience.