Final answer:
The assertion that French filmmakers in the 1920s went on location more often than filmmakers in Germany or the United States is false. The film industries in these countries each had their unique characteristics, and no evidence suggests that French filmmakers specifically went on location more frequently.
Step-by-step explanation:
The statement that in the 1920s, French filmmakers went on location more often than did their counterparts in Germany or the United States is false. The movie industries in various countries, including the United States, Germany, and France, had their unique approaches to film production. Hollywood became the center of the American film industry primarily due to its favorable climate and predictable sunshine, factors that heavily influenced the production location decisions. German filmmakers, meanwhile, were known for their modernist and expressionist works that often critiqued politics and society, utilizing abstract sets and innovative narratives.
The French film industry was indeed influential, with notable pioneers like Alice Guy, the world's first female filmmaker, and pioneers of genres like Georges Méliès. However, the available information does not indicate that French filmmakers went on location more frequently than their American or German counterparts during the 1920s.