Question

Coleman Hawkins' recording of "Body and Soul" as a listening example. Listen to this, and then go back to last week's example of "Oh! Lady Be Good" recorded by Lester Young and compare the two tenor saxophonists' approach to improvisation. What do you hear that sticks out about each one's playing? Consider any defining characteristics of each player, as well as any similarities or differences between the two. Focus on their solos, but you may make other observations about how the other instruments interact with them, as well. (Note: You may have written about Young's solo in "Oh! Lady Be Good" in last week's discussion post -- this week, focus on comparing that to Hawkins' solo)

Answer 1

When comparing Coleman Hawkins' recording of 'Body and Soul' to Lester Young's recording of 'Oh! Lady Be Good', there are differences and similarities in their approach to improvisation. Hawkins' playing is characterized by a strong tone and complex harmony, while Young's playing is marked by a lighter, melodic style with bluesy elements. Both saxophonists showcase incredible skill and creativity in their solos.

Step-by-step explanation:

When comparing Coleman Hawkins' recording of 'Body and Soul' to Lester Young's recording of 'Oh! Lady Be Good', there are several differences and similarities in their approach to improvisation.

One defining characteristic of Coleman Hawkins' playing is his use of a strong and robust tone. In his solo, you can hear the power and intensity in his notes. He also tends to play longer phrases and incorporates more complex harmony.

On the other hand, Lester Young's approach to improvisation is characterized by a lighter and more relaxed tone. His solo in 'Oh! Lady Be Good' is marked by a fluid and melodic style. Young often uses shorter phrases and incorporates more bluesy elements in his improvisation.

While Hawkins' playing is more aggressive and virtuosic, Young's playing is more lyrical and laid-back. However, both saxophonists showcase incredible technical skill and creativity in their solos, and they both have a unique and distinctive voice on the tenor saxophone.

In terms of the interaction with other instruments, both Hawkins and Young interact seamlessly with the rhythm section, providing interesting and complementary lines that enhance the overall musical texture.