Starting with the setting, both stories transport us to different times and places. "Young Goodman Brown" takes us to a 17th-century Puritan New England, while "The Man in Black" is set in 18th-century London. The settings in both stories serve more than just a backdrop; they're integral to the stories' themes and characters' actions.
In terms of characters, both stories present us with protagonists who embark on transformative journeys. Goodman Brown in Hawthorne's story is a naive young man whose faith is tested, while Goldsmith's Man in Black is a mysterious figure whose identity and story are gradually revealed.
The tone in "Young Goodman Brown" is dark and foreboding, reflecting the protagonist's inner turmoil and the story's exploration of good and evil. In contrast, "The Man in Black" has a more satirical tone, providing social commentary on the societal norms of the time.
Structurally, both stories use a linear narrative, but they handle the point of view differently. "Young Goodman Brown" is told in a third-person limited perspective, closely following Goodman Brown's experiences. On the other hand, "The Man in Black" is narrated in the first person, giving us a direct insight into the Man in Black's thoughts and experiences.
Conflict is central to both stories. In "Young Goodman Brown," the conflict is largely internal, as Goodman Brown wrestles with his faith and perceptions of those around him. In "The Man in Black," the conflict is more external, focusing on the Man in Black's struggles with society's expectations.
Finally, imagery is a powerful tool in both stories. In "Young Goodman Brown," Hawthorne uses vivid and dark imagery to convey the story's themes of sin and guilt. Goldsmith, in "The Man in Black," uses imagery to paint a picture of the societal norms and expectations of the time.
In conclusion, while "Young Goodman Brown" and "The Man in Black" are distinct in their themes and tones, they both make effective use of literary elements to convey their narratives. They are like two different paintings, each with its own style and message, yet both masterpieces in their own right.