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Trevor Noah's "Born A Crime" story | from a South African childhood:

DIRECTIONS: During this quarter, you have examined narrative characteristics and conducted research on a character or issue from Born a Crime to use in your Mini-Multi Genre Project. Using your preliminary research and artifacts from the Mini-Multigenre Portfolio, add or rewrite a chapter from the perspective of another character from Born a Crime to demonstrate mastery of your research skills by incorporating your newfound knowledge of South African culture, people, and/or systems during apartheid into your personalized chapter. Additionally, you will incorporate narrative elements such as setting, sequencing, plot, imagery, characterization, and theme.
(Any Chapter)

Your chapter should be at least 500 words.

Your chapter should:
Include a title.
Be engaging and use narrative characteristics to fully develop the story.
Incorporate research into the narrative chapter by presenting aspects of South African culture, people, and/or systems during apartheid that are not fully explained or explored in Born a Crime.
Use sequencing and plot development to ensure the chapter follows the plot diagram format.
Mirror Trevor Noah’s style as you create your extension.
Be proofread and edited for spelling and grammar before submission.

2 Answers

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Title: "Mlungisi's Dilemma"

As the sun dipped below the horizon, casting long shadows over the streets of Soweto, I found myself on the cusp of a life-altering decision. I had always been the quiet one, the observer in the background, a mere footnote in Trevor Noah's raucous adventures. But this time, the weight of my choices pressed heavily on my shoulders, and I couldn't remain hidden any longer.

Growing up in the vibrant yet oppressive world of apartheid South Africa, I was aware that life had a preordained script for people like me, classified as "Colored" under the regime. We were neither Black nor White, occupying a peculiar space in the racially segregated landscape of our homeland. Trevor's mother, Patricia, was our light in the darkness, a symbol of hope, and a woman of courage who defied the apartheid system. But it was not just her who rebelled; it was her partner, my father, Mlungisi.

Mlungisi was a man of few words, a provider, and a protector. He carried himself with a quiet dignity, his eyes betraying the storm of emotions hidden beneath the surface. In a time when interracial relationships were illegal, he and Patricia defied the system with their love. Their love story was one of secret rendezvous and the constant fear of being discovered by the authorities. I remember them whispering in hushed tones, making plans to meet after dark, embracing behind closed doors, all to avoid the prying eyes of apartheid.

But as the political landscape shifted, so did the dynamics of our family. Mlungisi faced a dilemma that weighed heavily on his heart. He had a choice to make, a choice that could have far-reaching consequences for all of us. It was the year 1990, and apartheid was beginning to crumble. Nelson Mandela was released from prison, and hope surged through the veins of our nation like a life-giving elixir.

Mlungisi had an opportunity to embrace this newfound freedom, to claim his identity and the love he shared with Patricia openly. The thought of walking hand in hand with her without fear of persecution was tantalizing. But it wasn't just about their love; it was about the future, about Trevor's future.

In the dimly lit living room, Mlungisi and Patricia discussed their options. Should they continue to keep their relationship a secret, protecting Trevor from the harsh realities of apartheid, or should they take the risk and reveal the truth? The stakes were high, and the consequences of their decision weighed heavily on their hearts.

As I watched them, I realized that Mlungisi's dilemma was not just a personal one; it was a reflection of the broader struggle faced by many South Africans during that time. Apartheid had inflicted deep wounds on our society, and the healing process was just beginning. Mlungisi's choice was a microcosm of the choices that South Africa itself had to make—between reconciliation and revenge, between darkness and the dawn of a new era.

In the end, Mlungisi chose to stand beside Patricia, to openly embrace their love, and to usher in a new chapter in our family's story. It was a choice rooted in hope, in the belief that a better future was possible. As we walked hand in hand through the streets of Soweto, I saw a glimmer of optimism in Trevor's eyes, and I knew that we were all moving forward together, no longer born a crime but born into a future of possibilities.

In the backdrop of the changing South African landscape, Mlungisi's decision marked a turning point in our family's life, a chapter in our story that would forever be etched in the annals of history.

User Shoaly
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Answer:

Step-by-step explanation:

To complete this task, you are required to add or rewrite a chapter from the perspective of another character in the book "Born a Crime." The chapter should demonstrate your research skills by incorporating your knowledge of South African culture, people, and/or systems during apartheid. Here is a step-by-step guide to help you:

1. Choose a character: Select a character from "Born a Crime" whose perspective you want to explore in your chapter. Consider characters who might offer unique insights or experiences related to South African culture or apartheid.

2. Conduct research: Use your preliminary research and artifacts from your Mini-Multi Genre Portfolio to gather information about South African culture, people, and/or systems during apartheid. Look for aspects that are not fully explained or explored in the original book.

3. Plan your chapter: Decide on a title that captures the essence of your chapter. Outline the key narrative elements you want to incorporate, such as setting, sequencing, plot, imagery, characterization, and theme. This will help you structure your chapter effectively.

4. Incorporate research: Integrate your research findings into your chapter by including details, descriptions, and dialogue that reflect South African culture, people, and/or systems during apartheid. Use your newfound knowledge to provide a deeper understanding of the character's experiences and the historical context.

5. Develop the narrative: Use narrative techniques to engage the reader and fully develop the story. Pay attention to the chosen character's voice, emotions, and perspective. Mirror Trevor Noah's style by using a similar tone, language, and storytelling approach.

6. Ensure plot coherence: Follow a clear plot structure, including a beginning, middle, and end. Use sequencing to organize events in a logical order, making sure that the chapter fits within the overall plot diagram of the book.

7. Proofread and edit: Before submitting, thoroughly proofread and edit your chapter for spelling and grammar errors. This will help maintain a professional and polished writing style.

Remember, your chapter should be at least 500 words long and showcase your research skills while staying true to the narrative characteristics of the original book. Be creative and use your newfound knowledge to bring the character and their experiences to life.

User Bruno Koga
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7.0k points