Answer:
As a designer for a production of A Doll's House, my job would be to create either the scenic design or the costume design for the show.
If I were a scenic designer, my responsibilities would include designing and creating the physical environment of the play, such as the set, props, and special effects. I would work closely with the director and other members of the production team to create a visual world that supports and enhances the story being told.
For A Doll's House, I would create a set that captures the stark, claustrophobic feel of the Helmer's home. The set would need to reflect the themes of confinement, deception, and social norms that are so prevalent in the play. I might create a set with small, cramped rooms that feel oppressive and uncomfortable, or I might use a minimalist approach with a few key pieces of furniture that convey the necessary mood.
If I were a costume designer, my responsibilities would include designing and creating the costumes for the actors in the play. I would work closely with the director to ensure that the costumes reflect the time period and social norms of the play, as well as the individual characters' personalities and motivations.
For A Doll's House, I would create costumes that reflect the restrictive social norms of 19th-century Norway. For Nora, I might design a dress that is both fashionable and demure, reflecting her position as a middle-class wife and mother. For Torvald, I might choose a suit that reflects his position as a banker and his desire to maintain a certain level of respectability in his community. I would also pay close attention to the colors, fabrics, and accessories used in the costumes, as these can be powerful symbols in conveying the themes and messages of the play.