Human conflicts, both with nature and with one another, are recurring themes in literature and can be depicted in a variety of ways. Here are a few examples of how these conflicts might be displayed in a story:
Conflict between nature and humans:
Humans may have to fight against the forces of nature as a result of natural disasters like earthquakes, floods, and hurricanes. This could be demonstrated in a story by characters struggling to recover from or rebuild after a catastrophe, or by characters finding it difficult to adjust to shifting weather patterns or environmental conditions.
Deforestation and pollution are two examples of how human activities can harm the environment and put us at odds with the natural world. In a story, this could be demonstrated by characters standing up for the environment or by characters being forced to face the repercussions of their own choices.
Conflicts between humans and other beings, including animals, can also arise. This might be demonstrated in a story by characters dealing with ferocious wildlife, vying for resources with animals, or finding it difficult to comprehend and interact with other species.
Human conflict:
The conflict between people can result from differences in culture, religion, or worldview. The conflict between characters with various backgrounds or worldviews could serve as an example of this in a story.
Human conflict can also result from interpersonal rivalries, jealousies, or grudges. This could be demonstrated in a story by displaying characters who have a history of conflict or by displaying characters who are competing for the same award or position.
Political or social systems can also cause conflict between people. In a story, this might be demonstrated by characters who are victims of a system or who struggle against an unfair political system or social structure.
In general, conflicts between people and their environment and between people themselves are significant components of many stories, and they can be depicted in a variety of ways depending on the author's intent and the particular context of the story.