Robert Rauschenberg's "Canyon" is part of the Neo-Dada movement.
The Neo-Dada movement emerged in the 1950s in the United States as a reaction against the rationalism and seriousness of Abstract Expressionism. Neo-Dada artists sought to reintroduce everyday objects and materials into art and to challenge traditional notions of what art could be. They often used found objects, collage, and assemblage techniques to create their works.
Robert Rauschenberg was one of the key figures of the Neo-Dada movement, along with artists such as Jasper Johns and Claes Oldenburg. "Canyon" is an example of Rauschenberg's use of found objects in his art. The work includes a stuffed bald eagle, a pillow, and other objects arranged in a way that challenges traditional notions of composition and representation. "Canyon" is considered a seminal work of the Neo-Dada movement.