Question

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This fact is illustrated by the death scenes of the two films’ main male characters Romeo and Gatsby. The music is very similar in effect; near the beginning of both scenes. In Gatsby's death scene the music becomes heightened when Gatsby dives into the pool. In Romeo's death scene the foreboding music starts when he is approaching the bed where he had believed Juliet was lying dead on. The sounds in the death scene of Romeo and Gatsby are similar, only whispers are heard, and absolute silence signifies the end. Likewise in comparing the death scene of Myrtle in the Great Gatsby and Tybalt in Romeo and Juliet there are various parallels in the music that can be heard. As we hear ominous music at the beginning of both scenes. In short Luhrmann's use of music and sound in these two films' death scenes is subtle yet moving and almost predictable.

Answer 1

This fact is illustrated by the death scenes of the two films’ main male characters, Romeo and Gatsby. The music is very similar in effect near the beginning of both scenes. In Gatsby's death scene, the music becomes heightened when Gatsby dives into the pool. In Romeo's death scene, the foreboding music starts when he is approaching the bed where he had believed Juliet was lying dead on. The sounds in the death scene of Romeo and Gatsby are similar, only whispers are heard and absolute silence signifies the end. Likewise in comparing the death scene of Myrtle in the Great Gatsby and Tybalt in Romeo and Juliet, there are various parallels in the music that can be heard. As we hear ominous music at the beginning of both scenes. In short Luhrmann's use of music and sound in these two films' death scenes is subtle, yet, moving and almost predictable.

Step-by-step explanation:

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