It is the ennui. By the center of the nineteenth century, apathy moved toward becoming related with the estrangement of industrialization and present-day life. Craftsmen and writers experienced it, and soon a claim to apathy was a characteristic of otherworldly profundity and affectability. It inferred sentiments of prevalence and self-respect, the thought being that lone middle-class individuals excessively tricked or doltish, making it impossible to see the essential purposelessness of any activity could be upbeat.