Final answer:
Hamlet feels Denmark is a prison, highlighted in his discussions with Rosencrantz and Guildenstern, which are somber and metaphysical. His tone with Polonius is more mocking, using his wit as a defense mechanism. Both interactions underscore Hamlet's sense of entrapment and his troubled state of mind.
Step-by-step explanation:
Hamlet's interaction with Rosencrantz and Guildenstern showcases his complex state of mind, which fluctuates between corrosive wit and profound melodic despair. In the excerpt provided, Hamlet proclaims Elsinore incarceration, equating the entire kingdom of Denmark to a panopticon Hamlet, indicating his feeling of being continuously watched and judged. The tone of this interaction is one of veiled criticism and a mournful consideration of his constrained condition, which is both literal and metaphysical; an Elsinore jail as much as a prison of his existential musings.
Comparatively, his conversations with Polonius in Act 2 are filled with a sharp, mocking tone, rife with feigned madness used to deflect and confuse Polonius. Hamlet's intellect here operates as a shield, parrying the invasive questions and controlling the flow of conversation. His state of mind when dealing with Polonius is less debilitated than with Rosencrantz and Guildenstern, as he still exercises a kind of control, his acumen making a fool of Polonius. However, the overarching theme of being trapped—whether by duty, deception, or destiny—permeates all his interactions, reflecting a psyche fraught with the pressures of avenging his father's death, his disillusionment with his mother's actions, and the unrelenting gaze of the court.