From the main scene to the last scene, partner dancing is a standout amongst the most pervasive images in the play. At to begin with, moving is a wellspring of beguilement and diversion for Sam and Willie. It is a side interest for them, something to seek to outside the lowly dullness of work. Through the span of the play, move rises as an imperative social pillar for the dark group. Sam summons the move rivalry as an image of a perfect world in which individuals can live respectively in concordance without crashing into each other. Move gives a sheltered space to Sam and Willie, far from the battles of politically-sanctioned racial segregation period South Africa.