Final answer:
William Morris would likely create a lamp to go with a tapestry by incorporating an image of Pomona, using botanical themes such as leaves or grapevines, applying Gothic lettering if adding text, and choosing vegetable dyes for fabric colors. His design approach emphasized historical influence, natural inspiration, and organic materials.
Step-by-step explanation:
Considering William Morris's design philosophy, we can assume the following about how he might design a lamp to complement a tapestry:
A. He could decorate the lampshade or base with an image of Pomona: This would create a thematic connection with the room's decor, reflecting his practice of drawing inspiration from nature and mythology.
B. He could decorate the lampshade or base with curling leaves or grapevines: Morris often incorporated botanical themes into his designs, reflecting his love for the natural world and the English countryside.
C. He could add the poem from the tapestry to the lamp, using the same Gothic style of lettering: Given his historical influences and medieval style, this would be a characteristic addition to unify the design elements within the space.
F. He could use vegetable dyes to get rich colors for the fabric of the lampshade: Morris preferred organic over chemical dyes, so it's likely he would apply this method for consistency in hue and ethic.
Options D and E are less likely. Morris's focus was not on industrial precision but on craftsmanship; also, while weaving was a contemporary technique, it is not specifically mentioned in this question's reference to the lampshade material.