Final answer:
Tintoretto's painting of The Last Supper diverged from da Vinci's by emphasizing chaos and movement through Mannerism, using numerous figures and supernatural lighting to invoke the emotional drama of the scene.
Step-by-step explanation:
Tintoretto aimed to showcase the dynamism and chaos of the moment in his painting of The Last Supper. Unlike Leonardo da Vinci's classical Renaissance approach to this biblical scene which featured a structured, horizontal layout with balanced figures and light from a discernible source, Tintoretto's painting embraces Mannerism. He fills the canvas with numerous figures, including angels and secondary characters, to emphasize the extraordinary nature of the event. The light surrounding the Christ figure adds a mystical and supernatural aura, contrasting with the more naturalistic approach of da Vinci. Tintoretto deploys a diagonal table setting to guide the viewer's gaze, creating a sense of movement. This alignment, coupled with the exaggerated poses of figures such as the woman in the foreground, brings to life the emotional intensity of this pivotal moment.