In Everyday Use by Alice Walker, Dee (now Wangero Leewanika Kemanjo as a protest against her white name) comes back home with her strange boyfriend from university. Mama and Maggie are weirded-out by her new appearance and demeanor, but try to get along with her. Then, Wangero demands to take the family's back home with her as she believes it would be such a piece to showcase her heritage, while Mama opposes explaining that it is her hope that Maggie will set the quilts for everyday use. Wangero, frustrated, leaves saying how such a priceless artifact will go to waste.
Apart from the exchange of hands regarding the quilt between Dee and Maggie, they don't interact much. In fact, when Dee greets Maggie, she receives her with some rejection as she is aware of her scars and jealous of Dee's modern life.
This story shows a contrast between to very different senses of heritage. While Dee has a much more modern understanding of the value of her African-Americanism, Maggie shows a more traditional appreciation for her roots. Dee's feelings for her heritage come from her pride and rebellion while Maggie's sense of heritage comes from tradition and family values. This struggle around the quilt between the sisters exemplifies how society treats heritage, constantly struggling between its traditional value and its museum-curiosity-artifact aspect.