Question

(MC) Read the following excerpt from the article "Vision, Voice and the Power of Creation: An Author Speaks Out," by T. A. Barron, and answer the question that follows: Another way to tap the power of imagination is through place. My own background as a writer is rooted in nature, having grown up reading Henry David Thoreau, Rachel Carson, and John Muir long before I ever dipped into Madeleine L'Engle, Lloyd Alexander, Ursula Le Guin, E. B. White, or J.R.R. Tolkien. My early writings were really nature journals; at nine, I wrote a complete biography—of a tree. (It was a once-majestic chestnut tree not far from my home.) So it should come as no surprise that I view place as much more than just a setting for a story. It is, in truth, another form of character, no less alive and complex, mysterious and contradictory, than the richest character in human form. What does the author imply when he writes, "Another way to tap the power of imagination is through place"? (10 points)

Answer 1

The answer is A

Step-by-step explanation:

Because I took the test and got it right

Answer 2

The author implies that in order to really boost the imagination of the reader, the author should have a strong sense of where their story is taking place. The examples he gives first are authors who describe nature in a lot of detail in their stories. The second set of authors he gives as an example are authors who build completely new worlds of their own. In all examples, "place" or setting is really well described. The author is saying that if you can describe every detail of your setting in a way that you can close your eyes and see it clearly, the reader will then be able to use their imagination better to see the place also.