Question

In at least one hundred words, describe how Robert Bly used repetition to heighten the emotional impact of “Counting Small-boned Bodies.”

Answer 1

Robert Bly's "Tallying Small-Boned Bodies" is a short sonnet of ten lines, written in free section and cautiously isolated into four stanzas. The ballad at first welcomes the peruser to take an interest with the speaker in the solitary activity of relating bodies. The procedure Bly alludes to is one of tallying the groups of adversary dead after a fight, a military practice used to decide the degree of harm delivered on the restricting power. The parody of the lyric dissents the Vietnam War, and all the more explicitly the Pentagon routine with regards to discharging body-check insights to the push once a day. The last three stanzas demonstrate the bodies contracting and winding up apparently less vital. Bly utilizes a progression of uncommon figurative pictures to show the frightfulness of trivializing demise thusly.

A great part of the adequacy of "Counting Small-Boned Bodies" in assaulting body considers a strategy for estimating "advance" in the Vietnam War lies in the structure Bly creates. The lyric spirals descending through ever littler yet perpetually strong pictures. The single line of the principal stanza basically depicts the speaker's conspiratorial methodology, giving an account snare—welcoming the peruser to play along.

The second line of the ballad proceeds in the sensible tone officially settled, yet it proposes an association between a genuine occasion and creative existence where a human body could be made littler and littler for accommodation. How the body estimate is diminished is never clarified; be that as it may, the effect of the decrease comes in the concise third line, in which the bodies have progressed toward becoming skull-sized. This is trailed by a convincing vision of a twilight plain loaded up with skulls, each speaking to a body.

Answer 2

In his poem "Counting small-boned bodies", Mr. Bly brings up a series of cynical ideas around the practice of dead-body counting for statistical measures. Specifically, the free-verse poem criticizes the effects of the Vietnam war in 1955.

Firstly, Bly engages the incautious reader in the gore activity with an invitation "let's count the bodies over again". Inmediately after, a sadistic tone sets in when a both childlike and wicked narrator wonders "If we could only make the bodies smaller".

Throughout the poem, the latter verse is repeated twice more with the purpose of letting the reader anticipate a new evil fantasy to follow each time. In a Pavlovian sort of way, the reader learns to expect the hit of vivid imagery following this verse which naturally heightens the emotional impact through anxious anticipation.

The repetition in the poem reminds the cringing readers they are being forcibly carried along the horrors of war through cold-blodded visions which may emobdy the darkness within their own war-consenting society.