Interior narration is not a type of narration. Only third-person limited and omniscient are available. There is no such thing as an interior. Second-person narration is the type you're missing. The narrative pace can either be accelerated or slowed down. Narrative slowing down of narration foregrounds events and suggests what is to be noticed by the reader, whereas summation or acceleration of narrative pace places events and happenings in the background, diminishing their importance. The psychological point of view focuses on the characters' behaviors. Lanser concludes that this is "an extremely complex aspect of point of view, for it encompasses the broad question of the narrator's distance or affinity to each character and event…represented in the text." Negative comments distance the reader from a character's point of view while positive evaluations create affinity with his or her perspective. The phraseological point of view focuses on the speech characteristics of the characters and the narrator. For example, the names, titles, epithets, and sobriquets given to a character may evaluate a character's actions or speech and express a narrative point of view. The ideological point of view is not only "the most basic aspect of point of view" but also the "least accessible to formalization, for its analysis relies to a degree, on intuitive understanding." This aspect of the point of view focuses on the norms, values, beliefs, and Weltanschauung (worldview) of the narrator or a character. The ideological point of view may be stated outright—what Lanser calls "explicit ideology"—or it may be embedded at "deep-structural" levels of the text and not easily identified.