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As we discussed in class, the novel You asks us to fall in love with a serial killer at the heart of the story. Compare and use examples from You and other media (film or novels) in the class, to showcase and explain how these stories ask us to identify or “have feelings for” the serial killers themselves. And more importantly, what is the “real world” effect of asking us to identify with serial killers?

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Answer:

The real story was a story that won't be changed if somone loves this person who kills people

Step-by-step explanation:

well 1st of all this story must be good enough for somone to fall in love with someone who kill's people and if you have feeling for this person than it should make it a life changing well story

User Sinkeat
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In "You" and similar media, audiences are prompted to empathize with serial killers, blurring moral lines. While fostering understanding, it raises concerns about desensitization and the normalization of deviant behavior.

In "You," the novel by Caroline Kepnes, the protagonist, Joe Goldberg, is a charismatic yet disturbed bookstore manager who becomes infatuated with and stalks his love interests. The narrative style invites readers into Joe's mind, creating a sense of intimacy and empathy with his character. Similarly, in films like "American Psycho" and novels like "Silence of the Lambs," the audience is compelled to engage with the psychopathic protagonists, Patrick Bateman and Hannibal Lecter, respectively.

These stories challenge traditional moral boundaries by encouraging audiences to empathize with characters who commit heinous acts. By humanizing serial killers, these narratives prompt reflection on the blurred lines between good and evil, challenging preconceived notions of morality. However, the real-world effect of such identification is complex. On one hand, it fosters a deeper understanding of the human psyche and societal factors influencing criminal behavior. On the other hand, there's a risk of desensitization to violence and the normalization of deviant behavior. The fine line between fascination and condemnation in these narratives raises ethical questions about the impact of storytelling on our perceptions of crime and morality.

User JDur
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