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What productive and exceptionally respected American creator, who turned into a British subject a year prior to his demise, composed The Wings of the Dove; Washington Square, and the Golden Bowl?

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In 1956, Guy Bolton made a play out of it, “Child of Fortune,” which was produced on Broadway by the usually canny Jed Harris, who had earlier touched with art (“art schmart,” he himself once disdainfully called it) his directing of “The Heiress,” based on Henry James's novel “Washington Square.”

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