Answer:
Although marked by an aggressive impetus, the struggle for survival does not exclude cooperation between different species, especially as they depend on each other. This fact is of great importance in the constellation of figures in The Time Machine, as the protagonist notes at one point in the year 802.701, about the symbiosis between Morlocks and Eloi.
In his novel, Wells does not confront the reader with the process of evolution which, as Darwin emphasized, cannot be perceived in fieri, he enacts results from a probable evolutionary line, translating the theory into poetic images. In this, he conceives peculiar characters inserted in the distant future that represent the result of thousands of years of evolution. With them, space and social organization evolve, reaching levels of perfection conceived in the imaginary of the Victorian era. Wells uses a game of opposition between the image of the future, enacted by the protagonist, on the one hand, and the reader's imagination with his beliefs in linear progression, on the other. What emerges is a clash of horizons, showing that within the logic of Darwinism, space will never be static, excluding any possibility of perfection. Therefore, the existential coordinates are, like all beings inserted in it, in a constant process of change.