Final answer:
The topic covers the influence of black and white squares and color theory in op art, specifically focusing on the works of artists Bridget Riley and Victor Vasarely, which are prime examples of creating optical illusions and the perception of depth in fine art. This is relevant to Arts subject matter at the High School level.
Step-by-step explanation:
The discussion of black and white squares, color perception, and optical illusions in art is deeply rooted in the study of renowned artists like Bridget Riley, Victor Vasarely, and the influence of movements such as op art. The use of geometric shapes and high contrast, as well as the exploration of how colors and patterns affect perception, are key elements in the works of these artists and are commonly studied in the field of fine arts, particularly within the context of High School level education.
For instance, Bridget Riley's Movement in Squares utilizes black and white squares to create an optical illusion that mimics depth, much like an opened book. This artwork represented a significant breakthrough in Riley's abstraction career. Similarly, Victor Vasarely's Sange 3076 explores the use of a simple color palette and geometric patterns to create a movement within the piece, playing with viewer's perception to suggest dimensional cubes.
These examples are illustrative of how artists manipulate geometric forms and colors to engage the viewer's visual senses and evoke a sense of space and dynamism through static imagery, a concept that is frequently analyzed within the arts curriculum.