Question

Consider the speakers in "The Raven" and the speaker in "The Song of Wandering Aengus." Write two paragraphs to compare and contrast the voice in these two poems. How does the poet give the speaker in each poem a distinctive voice? What effect does this voice have in each poem? Use examples from each poem to as evidence for your answer

Answer 1

"The Raven" and "The Song of Wandering Aengus," both tell of a male speaker longing for a woman. Yeat's poem tells us of a short vision of a woman. The speaker

later goes on wandering in search for her. This has some melancholy mood but in a lighter way. The reader may assume that the speaker may never find her, but the speaker has not lost hope.

In the poem "The Raven," the speaker is gloomy and melancholy because he thinks of Lenore, his dead love whenever a raven flies in. He questions the bird, each time receiving the same answer "Nevermore" which the speaker thinks that it means that he will never see Lenore again. The speaker questioning the bird is a sign of mental instability because the raven can not give him a true answer.

Answer 2

Both poems tell of a male speaker's longing for a woman, but their tone could not be more different. The speaker of Poe's "The Raven" is morose and melancholy; he is thinking of Lenore, his dead love, when a raven flies in. He masochistically questions the bird, each time receiving the same answer: "Nevermore", which he takes to mean that he will never again see Lenore. His insistent questioning is seen as sign of mental instability, since he knows the bird cannot give him a true answer, and yet persists in his questions.

Yeats's poem, on the other hand, tells of a fleeting vision of a woman, perhaps a faery. The speaker then begins his wandering in search for her. Though the poem is also melancholic, it is a lighter sort of melancholy. Though we may surmise that the speaker shall never find her, he himself has not lost hope and his wanderings seem less gloomy than the dreariness of Poe's poem. His goal (kiss her lips and take her hands) has a sensuality that dispels any sense of doom.