Answer:
In spite of the fact that "Hills Like White Elephants" is principally a discussion between the American man and his half, neither of the speakers really speaks with the other, featuring the fracture between the two. Both talk, however neither tunes in or comprehends the other's perspective. Disappointed and pacifying, the American man will say nearly anything to persuade his sweetheart to haVe activity, which, albeit never referenced by name, comprehended as a fetus removal. He reveals to her he adores her, for instance, and that everything between them will return to the manner in which it used to. The young woman, in the interim, waffles hesitantly, at one point surrendering that she'll have the premature birth just to quiet him down. At the point when the man despite everything perseveres, she at last implores him to "if it's not too much trouble it would be ideal if you if you don't mind if it's not too much trouble if it's not too much trouble please" quit talking, understanding the uselessness of their discussion. Truth be told, the young lady's moniker, "Dance," quietly shows that the two characters simply move around one another and the current issue while never uttering a word important. The young lady's failure to communicate in Spanish with the barkeep, besides, outlines her reliance on the American as well as the trouble she has communicating to other people. In its essence, “The Hills Like White Elephants” is a short story that is about an American man and a girl called Jig. They are sitting at a table outside a train station, waiting for a train to Madrid. While they wait they order drinks and have a heated ongoing conversation over whether or not Jig will an operation that would be of great significance to their relationship. “The Hills Like White Elephants” by Ernest Hemingway has two important symbols in the story, the hills and the drinks both of which help to give us a better understanding of what is going on between the American and his girl. The story begins with a vivid description of a train station surrounded by hills and fields. This scene tells us a lot about the couple's situation. The girl remarks that she and the American man never do anything together except try new drinks. This can represent that their relationship is boring and mundane which seems to bother the girl. These feelings can show that girl may ready for change and a chance to settle down, unlike the man who doesn't seem interested in changing his carefree ways. She also asks the man permission for a drink and has to rely on him to order the drinks because of her inability to speak Spanish. She appears disappointed that she is so dependent on the man and no matter what her decision may result in, their relationship will no longer be the same. After trying the new drink she replies that “Everything tastes like licorice. Especially all the things you’ve waited so long for like absinthe” (Hemingway 655). Another symbolism that Jig is now feeling bittersweet about the decision because she may want to have the baby, but the man's decision is to go ahead with the abortion. A white elephant symbolizes something no one wants—in this story, the girl’s unborn child. The girl’s comment in the beginning of the story that the surrounding hills look like white elephants initially seems casual, offhand remark, but it actually serves as a segue for her and the American to discuss their baby and possibility of the abortion. The girl later retracts this comment with the observation that the hills don’t really look like white elephants, a subtle hint that perhaps she wants to keep the baby after all—a hint the American misses. In fact, she even says that the hills only seemed to look like white elephants at first glance, and that they’re actually quite lovely. Comparing the hills—and, metaphorically, the baby—to elephants also recalls the expression “the elephant in the room,” a euphemism for something painfully obvious that no one wants to discuss. Hemingway provided a realistic and romanticized account of war. He wanted readers to experience the events of the novel as though they were actually witnessing them. Using a simple writing style and plain language, he omitted inessential adjectives and adverbs, rendering violence of the Italian front in sparing prose. To give readers a sense of immediacy, Hemingway used short declarative clauses and made frequent use of the conjunction and. Many years after publication of A Farewell to Arms, Hemingway explained that he used the word for its rhythmic quality: it was, he said, a “conscious imitation of the way Mr. Johann Sebastian Bach used a note in music when he was emitting a counterpoint.” The same language animates the protagonist’s voice, thoughts, and dialogue. The effect is similarly lifelike. Hemingway authentically replicated the way soldiers speak in times of war—profanities and all.
Step-by-step explanation:
Word count: 806