Step-by-step explanation:
In Act one, scene one, Troy Maxson declares, "Death ain't nothing but a fastball on the outside corner." With this line, the former Negro League slugger merges his past experience as a ballplayer with his philosophy. Troy, Bono, and Rose argue about the quality of the Major League black ballplayer compared to Troy when he was in his prime. A fastball on the outside corner was homerun material for Troy. Though Troy feels beleaguered from work and deeply troubled by coming along too early to play in the Major Leagues because they were still segregated when he was in top form, Troy believes he is unconquerable and almost immortal when it come to issues of life and death. Troy knows he overcame pneumonia ten years ago, survived an abusive father and treacherous conditions in his adaptation to surviving in an urban environment when he walked north to live in Pittsburgh, and jail. Baseball is what Troy is most proud of and knows he conquered on his own. In this first scene of the play, Troy is afraid of nothing, values his life, and feels in control. Troy's attitude toward death is proud and nonchalant. Troy says, "Ain't nothing wrong with talking about death. That's part of life. Everybody gonna die. You gonna die, I'm gonna die. Bono's gonna die. Hell, we all gonna die." He has not recently experienced a personal loss so great that it humbles and weakens his spirit. In the same scene, Troy compares Death to an army that marched towards him in July, 1941, when he had pneumonia. He describes Death as an army, an icy touch on the shoulder, a grinning face. Troy claims he spoke to Death. Troy thinks he constantly has to be on guard against Death's army. He claims he saw Death standing with a sickle in his hand, spoke to Death and wrestled Death for three days and three nights. After the wrestling match, Troy saw Death put on a white robe with a hood on it and leave to look for his sickle.