48.5k views
0 votes
Imagine you are creating a stage version of this play/film. How would you handle the ending scene at the airport with the characters of Rick, Renault, and Strausser in terms of character movement and direction (timecode 1:39:55)? What directions would you give the actors (think about body language, pantomime, blocking, staging, design elements, characterization, subtext, and physical characterization) for the scene in which Rick stops Strausser from making the phone call?

User RuBiCK
by
8.3k points

2 Answers

7 votes
In the stage version of this scene, I would emphasize the tension and high stakes through strategic character movement and direction. As the characters Rick, Renault, and Strausser interact at the airport:

Body Language:
Rick: Maintain a conflicted posture, torn between duty and personal feelings. Subtle facial expressions should convey his internal struggle.
Renault: Keep a composed demeanor, observing the unfolding situation with a keen interest. His body language should suggest authority.
Strausser: Display a sense of urgency and determination. His movements should convey the importance of the phone call.
Pantomime and Blocking:
Rick and Strausser's interaction: Employ blocking that emphasizes the power dynamic. Rick physically intervening to prevent the call can be a decisive, tense moment. Use pacing to build suspense.
Renault's observation: Place Renault strategically, symbolizing his watchful eye on both Rick and Strausser. His movement can reflect his shifting allegiance.
Staging:
Use the stage space wisely, allowing for a clear focus on each character during crucial moments. Lighting can enhance the mood, with shadows playing into the clandestine nature of the scene.
Consider the use of a symbolic set piece, like a vintage telephone, to underscore the significance of the phone call.
Design Elements:
Costumes: Ensure that each character's attire reflects their role and the historical context. Rick's iconic trench coat, for instance, should contribute to his mysterious persona.
Set Design: Create an airport backdrop that captures the film's essence. Incorporate details like an old-fashioned phone booth to highlight the critical moment.
Characterization and Subtext:
Encourage actors to delve into the subtext of the scene. Rick's decision to stop Strausser should carry emotional weight, hinting at his evolving principles.
Renault's expressions should hint at his complex relationship with Rick, leaving room for interpretation.
Physical Characterization:
Rick's physicality should reflect his transformation throughout the play, embodying a blend of resistance and resilience.
Strausser's urgency should manifest in his gestures and movements, emphasizing the gravity of the situation.
Overall, the goal is to maintain the suspense and emotional depth of the original scene while adapting it effectively for the stage. Each character's movement should contribute to the tension, and the staging should enhance the audience's connection to the characters and the unfolding drama.
User Serge Iroshnikov
by
7.7k points
3 votes

I would handle it any a directly manor and help out whatevers happening at the airport ( rewatch it )

User Bestmacros
by
7.1k points