Final answer:
During the Renaissance, the canon as an ideal form became popular again.
Step-by-step explanation:
During the Renaissance, the canon as an ideal form became popular again. The idea of a canon, which is a rule for a standard of beauty, was developed for artists to follow. Artists like Leonardo da Vinci investigated the ideal proportions of the human body with his Vitruvian Man, which demonstrated the importance of symmetry and proper ratios in creating beautiful art.
During the Renaissance, the canon, emphasizing the ideal beauty and proportion in human figures, became popular again. Renaissance architecture reflected classical symmetry and geometry, and art moved towards realistic and naturalistic representations, as depicted in works by Raphael, Leonardo Da Vinci, and Sandro Botticelli.
During the Renaissance, the canon as an ideal form became popular again. Artists and scholars of the period sought to rediscover and replicate the aesthetic standards and philosophical insights of classical antiquity. In particular, they embraced the ancient Greek concept of ideal beauty and proportion in human figures, a principle that was reflected in the magnificent sculptures and paintings of the time. This included the ratio of the parts of the body to one another, an approach famously epitomized by Leonardo da Vinci in his drawing of the Vitruvian Man, which sought to capture the ideal human proportions comprehensively.
Renaissance architecture also demonstrated a revived interest in classical principles, focusing on symmetry, geometry, and the harmony of parts within a whole, as seen in the works of Filippo Brunelleschi and other luminaries of the time. This architectural approach was a conscious move away from the complex forms of Gothic architecture, towards a structured form that echoed Roman architecture.
Furthermore, Renaissance art, fueled by the Humanist movement, began emphasizing more realistic and natural depictions of subjects, including religious scenes, giving rise to a new style that brought human emotions and lifelike details to the forefront. The paintings of Raphael, Leonardo Da Vinci, and Sandro Botticelli are quintessential examples, with works such as The Birth of Venus becoming iconic representations of Renaissance beauty.