Final answer:
The camera in Direct Cinema aims to be an objective observer, yet filmmaker decisions on framing and timing imply that complete objectivity is not achievable, as the filmed content is influenced by these choices.
Step-by-step explanation:
In Direct Cinema, the concept is that the camera acts as an objective observer, capturing events as they naturally unfold without the intervention of the filmmaker. This style of documentary filmmaking seeks to present a direct, unfiltered account of reality. However, the assertion that the camera is a 'disinterested observer' can be misleading. The choices made by the filmmaker about where to position the camera, when to film, and what to include in the frame all influence the final product. In performance, actors provide a window into their characters' lives, but the camera does not capture the immediate audience reaction, altering the dynamic of the performance. Similarly, a photograph captures only a specific viewpoint, omitting all that lies beyond its frame. Even in a metaphorical sense, when the speaker in a poem reflects on the 'coldness' in photographers, it is recognizing the need for emotional detachment while acknowledging the selective perspective the camera offers. Thus, in Direct Cinema, while striving for objectivity, the camera's presence and the filmmaker's decisions inevitably impart a viewpoint, which suggests the camera cannot be wholly objective or disinterested.