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Public performances by women prohibited by ming/qing which gave rise to...

User Hammett
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During the Ming and Qing dynasties, public performances by women were prohibited, which led to a cultural shift such as the all-male kabuki theater in Japan. This prohibition was part of a broader emphasis on Confucian values and female chastity. The treatment and role of women during this period continue to be an important topic of historical inquiry.

Step-by-step explanation:

During the Ming and Qing dynasties, the rulers introduced reforms to correct the perceived moral laxity that had led to the fall of the previous Ming dynasty. As part of these reforms, the Qing emperors Kangxi, Yongzheng, and Qianlong emphasized traditional Confucian values and prohibited morally suspect plays and novels. There was a particular focus on female chastity, as reflected in the commemoration of 'chaste widows,' women who chose not to remarry after their husbands' deaths. This led to a situation where public performances by women were prohibited, which, in turn, influenced the arts and culture.

The prohibition of female public performances had a ripple effect across various art forms. For example, in Japan, this gave rise to all-male kabuki performances, where men played female roles. This adherence to strict moral codes and gender roles also manifested in other areas, such as the advice given to elite women on how to behave to protect their family's reputation, as seen in Chinese and Japanese scholarly works.

Despite these restrictions, women found other avenues to express themselves, such as through poetry and, in some cases, by attaining influential positions. However, the legal and societal constraints remained firm, treating women as subservient and, at times, as property. The legacy of these actions and the treatment of women during this period continue to be studied by historians.

User Tupac
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