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In the 20th century, composers explored dissonance in ways that pushed the boundaries of traditional tonality and harmonic conventions, challenging listeners to engage with more complex and unconventional musical sounds. A prime example of this would be atonality. The rejection of tonality was a significant development because it incorporated more of an equal distribution of dissonance and consonance throughout a piece. Also, composers introduced dissonant elements through subtle changes and unexpected harmonic shifts.

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Yes, the exploration of dissonance in 20th-century music marked a significant departure from traditional tonal harmony, where dissonance served as a contrast to the prevailing consonance.

Atonality, in particular, represented a radical shift away from the tonal center, resulting in a more balanced distribution of dissonance and consonance throughout a piece.

This opened up new avenues for musical expression, allowing composers to create a wider range of sonic textures and evoke a broader spectrum of emotions.

The exploration of dissonance in 20th-century music challenged listeners and expanded the boundaries of musical expression. It opened up new possibilities for composers to convey emotions, create tension, and evoke a wider range of sonic experiences.

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