Rothko was with various professors of art beckoned through Joseph Brummer to display within Paris near the Galerie Bonaparte during November 1936; The Crucifixion of Jesus was meant to be one of the pictures made by Rothko. French editor, Waldemar George remarked that Rothko's picture unveiled nostalgia since fourteenth-century Italian painting also that they demonstrated "a genuine colorful benefit." This picture has important relationship toward Renaissance sacred decorating, nevertheless it additionally offers recommendations to Rembrandt's mourning of the death of Christ.
Here is one of his quotes.