Question

Using what you learned in the lesson and in the reading selections, write about how imagist writers carried out their imagist ideals

Answer 1

To achieve these beliefs of imagism, journalists of this development utilized straightforward language. They continued at their own risk and involved language as a way to convey and portray an exact second on schedule, which is proven in Pound's conservative utilization of words in his two-line poem "In a Station of the Metro."

Imagism started as a response to the theoretical language and subjects of sentimentalism and the Victorian time. As indicated by Ezra Pound, who is viewed as the organizer of this development, the principles of imagist verse comprised of "treating a thing in an immediate way," staying away from overt repetitiveness in language, and trying different things with rhyme and cadence.

Most imagist artists wrote in free section, and their poems followed a characteristic musicality, conflicting with the predictable meters and extravagant language of the sentimental people. The imagist artists attempted to portray the pictures of the items that they expounded on in the most genuine and authentic ways, and to depict things as they were. Imagists didn't write to improve or raise objects, as found in how William Carlos Williams portrays commonplace regular items like a red push cart and a white chicken in his poem "The Red Wheelbarrow."

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Hope this helps.This is what I summited, into Plato.

Answer 2

Imagism began as a reaction to the abstract language and themes of romanticism and the Victorian era. According to Ezra Pound, who is considered the founder of this movement, the tenets of imagist poetry consisted of “treating a thing in a direct manner,” avoiding redundancy in language, and experimenting with rhyme and rhythm.

To accomplish these ideals of imagism, writers of this movement used simple language. They chose their words carefully and used language as a means to convey and describe a precise moment in time, which is evidenced in Pound’s economical use of words in his two-line poem “In a Station of the Metro.”

The imagists also experimented with new rhythms to create new moods. For example, read this excerpt from "The Great Figure" by William Carlos Williams:

Among the rain

and lights

I saw the figure 5

in gold

on a red

fire truck

Note how the short lines and lack of punctuation in the poem help to create the mood of urgency, which you would relate with the movement of the fire truck. Also notice that the poem is in free verse. Most imagist poets wrote in free verse, and their poems followed a natural rhythm, going against the consistent meters and flowery language of the romantics. The imagist poets tried to depict the images of the objects that they wrote about in the most real and factual ways, and to describe things as they were. Imagists didn’t write to beautify or elevate objects, as seen in how William Carlos Williams describes mundane everyday objects like a red wheelbarrow and a white chicken in his poem “The Red Wheelbarrow.”

Step-by-step explanation:

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