Final answer:
Hiroshige used lines to suggest fluid movement, Degas used brushstrokes and spatial arrangement to depict the dynamism of dancers and horses, and Balla used repetition of lines and shapes to convey kinetic energy.
Step-by-step explanation:
The depiction of movement in artwork is a crucial aspect of capturing the dynamism of a subject. Utagawa Hiroshige, a renowned Japanese ukiyo-e artist, frequently used spiral, diagonal, and curved lines to express the fluidity and movement within his landscapes and urban scenes. Contrarily, Edgar Degas, associated with the Impressionists, depicted the movement of dancers and horses using visible brushstrokes and the strategic arrangement of figures in his compositions, such as The Dance Class. He utilized the lines on the floors and other elements to guide the viewer's eye, creating a sense of rhythmic motion. Lastly, Giacomo Balla, an artist associated with the Futurist movement, showed movement through the repetition of shapes and lines to depict objects in various stages of motion, imbuing his work with kinetic energy. Despite their different approaches and styles, each artist found unique ways to suggest motion and bring their static images to life.